Mutual Misunderstanding: Intercultural Competence and the Unconscious/Conscious Dialectic in Henry James’ 'The Portrait of A Lady'

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Monica Cure

Abstract

Henry James, in his novel The Portrait of a Lady, builds a world around a main character who temperamentally and then circumstantially appears to every chance for happiness, especially when compared with others. As many critics have noted, Isabel Archer experiences tragedy because of this great potential for fulfillment rather than in spite of it. However, what critics have tended to overlook is the other parallel, though “minor,” irony of the novel: her friend Henrietta Stackpole’s fulfillment and move to England. The infamous ending of Isabel can be better understood by looking at it through the lens of intercultural competence and by comparing it with that of Henrietta. Building off the theory of unconscious versus conscious cultural identity that James sketches in his essay 1878 “Americans Abroad,” this article analyzes the role self-consciousness and awareness of cultural differences in the development of the novel’s characters.

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How to Cite
Cure, M. “Mutual Misunderstanding: Intercultural Competence and the Unconscious/Conscious Dialectic in Henry James’ ’The Portrait of A Lady’”. Linguaculture, vol. 9, no. 2, Dec. 2018, pp. 51-64, doi:10.47743/lincu-2018-2-0123.
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Articles
Author Biography

Monica Cure, Biola University in Los Angeles, California, U.S.A.

Monica Cure, Ph.D., is a scholar of comparative literature, and visual and material culture. She most recently held the position of Assistant Professor in the Torrey Honors Institute at Biola University in Los Angeles, California and is a Fulbright Scholar in American Studies at Alexandru Ioan Cuza University in Iaşi, Romania. She specializes in late nineteenth/early twentieth century American and British literature and culture, the discourse of nationalism, and representations of otherness. Her first book, Picturing the Postcard: The Invention of the Postcard Through the Lens of Turn-of-the-Century Literature, and the Fantasy of New Media appeared with the University of Minnesota Press in 2018. Her current research projects continue at the intersection of literature and culture, investigating the spirituality of travel through the concept of pilgrimage, travel writing and technology, and textual and material representations of nationalism.

References

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---. The Portrait of a Lady. New York: Norton Critical Edition, 1995. Print.

---. “Preface.” The Portrait of a Lady. New York: Norton Critical Edition, 1995. Print.

Katz, Daniel. “Aphoristic Patriotics: Henry James and the ‘Cosmopolite,’” Revue française d’études américaines: Les Lumières américaines92 (2002), pp. 98-111. https://www.jstor.org/stable/20874849. Web. 13 November 2017.

Mathews, Carolyn. “The Fishwife in James’ Historical Stream: Henrietta Stackpole Gets the Last Word.”American Literary Realism.33.3 (2001), pp. 189-208. https://www.jstor.org/stable/27747028. Web. 10 Jan. 2018.

Muse, Amy. “Teaching The Portrait of a Lady as a Tale of Two Travelers.”Frontiers: the Interdisciplinary Journal of Study Abroad. 25 (2015), pp. 47-56. https://files.eric.ed.gov/fulltext/EJ1071192.pdf. Web. 15 November 2017.

Novak, Frank. “‘Strangely Fertilising’: Henry James’ Venice and Isabel Archer’s Rome.”American Literary Realism, 45.2 (2013), pp. 146-165. https://www.jstor.org/stable/10.5406/amerlitereal.45.2.0146. Web. 5 January 2018.

Richmond, Marion. “Henry James’s The Portrait of a Lady: A Bibliography ofPrimary Material and Annotated Criticism.” The Henry James Review. 7.2-3 (1986), pp. 164-195. Project MUSE, doi:10.1353/hjr.2010.0234. Web. 19 January 2018.

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