Violence through the Lens of Innocence: Reflections on Alice Walker’s “The Flowers”

Main Article Content

Anca-Luisa Viusenco

Abstract

We live in a world in which both virtual and actual violence are capitalized on as sources of entertainment, in which the media is so saturate d with violence that we need it to offer us ever-increasing doses of the latter so that we can exit our state of moral numbness and react, in which even the most horrific acts of violence leave most of us passive, since we regard them as nothing more than signs of our troubled times. Consequently, both recognizing and taking a stand against the subtle forms in which violence manifests itself have, unfortunately, become real challenges. As a result, I chose as starting-point for the present paper Alice Walker’s “The Flowers”, a literary piece in which violence is not presented overtly, but only suggested, and not experienced, but witnessed, and only through its unfortunate outcome – death. The present paper follows Myop’s transition from the state of innocence to that of awareness, dwelling on the powerful imagery of the story, and discusses the effects of witnessing violence or its outcomes upon young minds.

Article Details

How to Cite
Viusenco, A.-L. “Violence through the Lens of Innocence: Reflections on Alice Walker’s ‘The Flowers’”. Linguaculture, vol. 2, no. 2, Dec. 2011, pp. 67-74, doi:10.47743/lincu-2011-2-2-264.
Section
Articles
Author Biography

Anca-Luisa Viusenco, Alexandru Ioan Cuza University of Iași, Romania

Anca-Luisa Viusenco is currently a PhD candidate within the Doctoral School of Philological Studies of  Alexandru Ioan Cuza University of Iași, as well as a junior teaching assistant within the Department of Geology of the Faculty of Geography and Geology at the same university. The topic of her doctoral research is the fictional representation of women suffering from various mental disturbances in autobiographical literary works belonging to female American authors, as well as their corresponding filmic adaptations. Apart from Feminism, her academic interests also include ethnic literature, American history, film and art.